EMOTIONS GARANTIES !! Toute la carrière exceptionnelle de Zizou, de Cannes au Real Madrid en passant bien sûr par l’Equipe de France, à voir ou à revoir pour admirer ses gestes techniques, ses buts d’anthologies, ses grandes victoires, ses défaites… bref, pour continuer à rêver en regardant LE plus grand footballeur de l’Histoire !!! 2ème partie : fr.youtube.com

The movie was released at the Cannes Film Festival in 1996 and released on VHS video in 1997. Songs featured in the film were “2 Bad” which was from Michael Jackson’s HIStory album and Ghosts and Is It Scary which were both taken from Blood On The Dance Floor, which was a History in the Mix album with some new tacks. Ghosts is a short film starring Michael Jackson and directed by film director and special effects guru Stan Winston which could also be classified as a long-form music video. It was filmed and first screened in 1996 and released along with select prints of the film Stephen King’s THINNER. It was released a year later internationally on VHS. The film tells the story of a scary Maestro with supernatural powers, who is being forced out of a small town by its mayor. The movie includes a series of dance routines performed by Michael Jackson and his “family” of ghouls. Every song from the film was taken from Michael Jackson’s HIStory and Blood on the Dance Floor albums. The film is also notable for an early film appearance of rapper Mos Def. The Maestro (Jackson) lives alone on top of a hill, overlooking the town of “Normal Valley”. Occasionally, he entertains the local children with scary magic tricks. On a stormy night A GROUP goes to the Maestro’s mansion. The front gate opens, frightening the townspeople, who make their way to the front door, which also opens by itself. The inside of the mansion appears to them even creepier than the outside, and the parents re …

This documentary is a making of feature, but it also features interviews with the cast and crew. Some interviews are recent, but some are from over 10 years ago. It starts out by interviewing Quentin Tarantino, along with Producer Lawrence Bender. They tell the story about how Tarantino started out. It even shows footage from Tarantino’s first film “Reservoir Dogs.” Most of the stars are interviewed, and it even covers topics in the film, such as how Tarantino made three stories come together as one, how the film was conceived by audiences, and even a quick segment about Tarantino’s view on violence. To top it all off, there is some behind the scenes footage, mainly of the part where Butch hits Marcellus with his car. At the end of the documentary, there is footage of the Cannes Film festival, and there is also information about the awards that Pulp Fiction won and was nominated for. This was definitely worth watching. Anyone who enjoyed Pulp Fiction, or likes Quentin Tarantino should see this. It is only half an hour long, and in that half hour, the viewer gets just about all the information they could want, without being overloaded or bored.

This documentary is a making of feature, but it also features interviews with the cast and crew. Some interviews are recent, but some are from over 10 years ago. It starts out by interviewing Quentin Tarantino, along with Producer Lawrence Bender. They tell the story about how Tarantino started out. It even shows footage from Tarantino’s first film “Reservoir Dogs.” Most of the stars are interviewed, and it even covers topics in the film, such as how Tarantino made three stories come together as one, how the film was conceived by audiences, and even a quick segment about Tarantino’s view on violence. To top it all off, there is some behind the scenes footage, mainly of the part where Butch hits Marcellus with his car. At the end of the documentary, there is footage of the Cannes Film festival, and there is also information about the awards that Pulp Fiction won and was nominated for. This was definitely worth watching. Anyone who enjoyed Pulp Fiction, or likes Quentin Tarantino should see this. It is only half an hour long, and in that half hour, the viewer gets just about all the information they could want, without being overloaded or bored

A highlight of Zidane’s career from the early days with Cannes and Bordeaux, to the middle years with Juventus, ending with the time at Real Madrid. Includes French debut, World Cup ’98, EURO 2000, Champions League, and World Cup ’06.

As a complementary means to monetise the artist-fan relationship, creating value for the music industry also lies in the quest for a successful business model between music and Internet Service Providers (ISP). Be inspired by compelling visions of what can be a viable solution from respected industry players, representing the different sides of the debate. Join also the Sunday morning debate, for a direct discussion with these four preeminent speakers and other experts on this issue. Speakers: Nicholas Lansman, Secretary General, ISPA (UK) Gerd Leonhard, Media Futurist & Author, Mediafuturist.com (Switzerland) Kenth Muldin, CEO, STIM (Sweden) Feargal Sharkey, CEO, UK Music (UK) Moderator: Paul Brindley, Managing Director, Music Ally (UK)

This is Part 1: At MIDEM 2010, one of the leading music industry events held in Cannes, annually, I gave a talk about how other content industries (apart from music) are using the Internet to monetize. The video is about 14 minutes long, and goes with the slide-show, below, and addresses these examples: * What will magazine publishers do with the new iPad and other tablet devices (examples from Bonnier, Wired and Sports Illustrated) * How Salesforce.com is making 1.29 Billion USD by selling access to the cloud * How OReilly’s Safari Books is selling access to 15.000 technical books for $42 / month * How Zynga’s Farmville social game (on Facebook) is selling 800.000 tractors as virtual items, per day * How iStockphoto is selling what can be found in many places for free * How the Techdirt blog connects with fans and gives ‘reason to buy’ (CwF / RtB) * Conclusion: People pay when they see real value and when the price is right! More details at www.mediafuturist.com