Archive for the ‘Cannes Museums’ Category

The Luxury of taking a Mediterranean Cruise

09.29.10

Mediterranean cruises are one of the relaxing things for individuals that take them. Every year just so many people embark on such cruises to spend memorable times with their families. Such cruises have everything to offer you right from the feisty streets of Barcelona to the great leaning tower of Pisa; you will always be running short of time on such trips. Barcelona is one of the mesmerizing places in the world being a host of Olympics. There is a large variety of galleries and museums in this place. The Sagrada Familia church gives you an opportunity to be close to God and the Anton Gaudi creations are present on every street of this city for a mystical experience. A Mediterranean cruise offers the most beautiful experience because it takes you through southern Europe. It is architecturally one of the most well endowed places and cities like Rome offer a chance to explore the rich history. Rome is the home of Vatican City, which is the home of the most divine Roman Catholic churches.

It is also the residence of the head of Roman Catholic religion. It also has the works of some of the most famous artists like Michelangelo, Bernini and Botticelli as frescos on the walls of its churches.  These attractions will satiate the art connoisseurs. It is as if you look at some of the magnificent works of the renaissance period. The history buffs would just yearn for more time so that they are able to grasp every intricacy of the historical richness of this city.

The trevi fountain and the Colosseum are other exotic destinations on a tour of this city. Florence is an unparalleled city in terms of its attractions. It has Michelangelo’s David, which was one of the most poignant historical masterpieces of this artist. Venice can also offer you other attractive sights like the Grand Canal. It is the most romantic escapade when you travel in it with your partner in a light gondola.

The leaning tower of Pisa is a marvelous sight when you visit this city. However, Florence is an unparalleled city in terms of attractions. The Baptistery of St John the Baptist, Campanile di Giotto and the Cathedral of Santa Maria del Fiore, are its stunningly beautiful sights. Apart from hosting the film festival, Cannes can also offer you some rare masterpieces to see like Molinard parfumerie, a perfume preparing place in Grasse and the possessed palace of Tour du Masque. Explore some ancient European architecture in the baroque like Chapelle Bellini.

The accessories on such cruises also have to be selected intelligently. Make sure that you carry a suntan with you to be able to tolerate the harsh sun of Egypt and beach cities. In addition, the foods of such cities are quite heavy in calories. So, make sure that you have diarrhea tablets to digest the luscious seafood. Mediterranean cruises are soul-enriching trips, which can ensure that you get pleasure for every penny spent by you.

 

 

Amazing Honeymoon Travel Destinations for Adventurous Couples

09.21.10

Congratulations! You’re getting married. Are you an adventurous couple? Do you prefer active vacations rather than simply lounging on a beach? You’re in luck. There are many amazing honeymoon destinations for adventurous couples.

Caribbean

Dominican Republic: This island has become a beautiful, affordable destination. You can get some fabulous deals because this is a larger island that doesn’t focus strictly on tourism. There are many all-inclusive hotels, enough to satisfy all types of couples. For the ultimate experience, try the Majestic Elegance Punta Cana.

Jamaica: A top destination for honeymoons. An all-inclusive resort paradise, Jamaica offers clear blue seas, tropical vegetation, breathtaking beaches and gorgeous waterfalls. Great shopping, cuisine, shopping and art. Top Jamaican resort pick: Secrets Wild Orchid Montego Bay.

Mexico
This country is a top stop spot for romance. Many couples go to Mexico for its beautiful beaches, but adventurous couples know that Mexico offers a variety of exciting things to do and see.

Puerto Vallarta: This exotic destination offers many fabulous attractions. Naturally, the beaches are divine. Tons of fun sports. There are many festivals, as well. Enjoy Puerto Vallarta’s tempting nightlife, fine dining and score great shopping deals. Stay at the Villa Premiere Hotel and Spa.

Cancun: Mexico’s own Caribbean island. There is a natural aquarium there – a warm lagoon brimming with tropical fish. This water enthusiast’s paradise offers sailing, windsurfing, jet skiing, snorkeling, scuba diving and more. Try the LeBlanc Spa Resort, an all-inclusive, adults-only paradise.

Europe

Paris: Pack your bags and take off on a Parisian 7-day Monograms Independent Vacation Package. Revel in post-wedding bliss in the City of Light. Notre Dame, the Eiffel Tower, the Arc de Triomphe, the opera, the Seine…the list goes on and on… Paris likely has more landmarks than any city on Earth. This city has it all: adventure, romance and sightseeing galore.

Rome: One of Italy’s top travel destinations, Rome is loaded with attractions. This vibrant city oozes all things antiquated, yet offers many modern luxuries. Visit ancient monuments, elaborate fountains, revered architecture and famous museums. The Italian capital boasts cuisine that is out of this world, as well as bustling nightlife. The historic center is fairly small, making it easy to hit all your desired tourist spots. For a perfect romantic Roman honeymoon, choose The St. Regis Grand Hotel.

Hawaii

Oahu: What more can be said about how gorgeous Hawaii is? You know about the beaches, but do you about the Polynesian Cultural Center? This 42-acre spread showcases seven island villages that display the indigenous cultures of Tahiti, New Zealand, Polynesian Hawaii, Samoa, Tonga and Fiji and the Marquesas. Might sound dull, but it’s not. Rather, it’s a fun and fascinating thing for adventurous couples to do on an Oahu honeymoon. Stay at the Hyatt Regency Waikiki Resort & Spa. Indulge in their fabulous couples massage.

The Big Island – Hawaii: For big island decadence, spend your honeymoon at the Waikoloa Beach Marriott Resort & Spa. Take a sunset sail for two, stroll the lush gardens, embark on the many adventures available to guests. This classic yet modern resort lavishes you with leis upon arrival. Surprisingly, this is not featured at all Hawaiian resorts. Make sure you stay somewhere that embraces this Hawaiian tradition. You’ll be glad you did.

Cruises
Why not spend your first trip as husband and wife on a fabulous honeymoon cruise? Modern cruise ships offer everything that resorts on land have to offer… and frequently more! Did you know that honeymoon cruises have higher couple satisfaction rates than any other honeymoon trips? Cruises offer it all: romance, cuisine, nightlife, top attractions, sports, pampering, luxury accommodations and more. Consider these cruises for your honeymoon.

Royal Caribbean International offers a 5-night cruise aboard Royal Caribbean’s Grandeur of the Seas, featuring Ft. Lauderdale, Key West, and Puerto Costa Maya.

Take a 7-day cruise aboard Holland America Line’s ms Noordam. See Civitavecchia, Cannes, Barcelona, Palma De Mallorca, La Goulette, Trapani.

For a break from the norm, experience a 12-night Alaskan cruise aboard Celebrity Cruises Celebrity Mercury. See Vancouver, Sitka, Juneau, Skagway, Ketchikan, San Francisco and San Diego. Only a cruise allows you to take in the sights at so many different cities.

A 5-night Mediterranean cruise aboard Royal Caribbean’s Adventure of the Seas takes you took such amazing locales as Malaga, Ajaccio, Provence. Sheer romance!

Enjoy a coach holiday to Torquay

09.13.10

Torquay, situated right in the heart of the English Riviera is a delightful settlement in Devon located on the South West coast of England. Although it lacks the glitz and glamour of the Cannes and St Tropez, it is still considered by many to be the most famous of the West Country resorts. With its continental atmosphere, gorgeous beaches and activities, tranquil gardens, hidden coves, unique heritage, family events, shops, restaurants and ample accommodation options, Torquay remains a sought after destination for coach holidays in the UK. Coach holidays are an affordable and convenient way to visit Torquay. There is so much to see and do here:

 

Soak up the sand and sun at one of the many beaches that Torquay has. Three of these, Oddicombe Beach, Babbacombe Beach (both situated in Babbacombe) and Meadfoot Beach (in Torquay itself) have European Blue Flags.  Other beaches include Maidencombe Beach, Watcombe Beach, Ansteys Cove, Torre Abbey Sands, Corbyn Head and Hollicombe Beach to name a few. Many of the beaches are linked by the South West Coast Path and offer excellent and varied walking with spectacular sea views. Here you will find beach cafes for the hungry and thirsty and a wide variety of flora and fauna for naturalists. There is much to offer those who like water sports, fishing and boating as well.

 

The queen of murder and mystery writing – Agatha Christie was Torquay’s most famous resident. To commemorate her birthday in September, there are lots of Agatha Christie related events, activities and tours to enjoy in Torquay. Recently, the Agatha Christie mile has been set up – this is a marked out route spanning 11 locations across the town that are connected with the novelist and her writing. The Torquay Museum also features a section on her, showcasing her interesting personal photographs and memorabilia. True fans should not miss out on this.

 

Enjoy an afternoon with aquatic life at Living Coasts, Torquay’s very own coastal zoo. Located just above the harbour, this attraction focuses on birds and mammals in specially designed naturalistic habitats. It highlights the importance of conservation of coastal and marine life around the world, and features sea otters, fur seals, sea ducks and penguins to name a few animals.

 

Explore Kents Cavern – one of the most ancient sites in Great Britain. Discovered in the last century, the floor of this cavern is composed of several strata, with prehistoric evidence of humans and now-extinct animals. The caverns have been fitted with good concrete pathways, so it is safe and easy to navigate through. Here you can see where wild animals and later man’s ancient ancestors lived and died.

Timeline Of Diving Technology

09.05.10

Pre-industrial

Several centuries BC: (Relief carvings made at this time show Assyrian soldiers crossing rivers using inflated goatskin floats. Several modern authors have wrongly said that the floats were crude breathing sets and that they show frogmen in action.)

Ancient Roman and Greek times, etc.: There have been many instances of men swimming or diving for combat, but they always had to hold their breath, and had no diving equipment, except sometimes a hollow plant stem used as a snorkel. See this link (in Portuguese).

About 500 BC: (Information originally from Herodotus): During a naval campaign the Greek Scyllis was taken aboard ship as prisoner by the Persian King Xerxes I. When Scyllis learned that Xerxes was to attack a Greek flotilla, he seized a knife and jumped overboard. The Persians could not find him in the water and presumed he had drowned. Scyllis surfaced at night and made his way among all the ships in Xerxes’s fleet, cutting each ship loose from its moorings; he used a hollow reed as snorkel to remain unobserved. Then he swam nine miles (15 kilometers) to rejoin the Greeks off Cape Artemisium.

The use of diving bells is recorded by the Greek philosopher Aristotle in the 4th century BC: “…they enable the divers to respire equally well by letting down a cauldron, for this does not fill with water, but retains the air, for it is forced straight down into the water.”

1300 or earlier: Persian divers were using diving goggles with windows made of the polished outer layer of tortoiseshell.

15th century: Leonardo da Vinci made the first known mention of air tanks in Italy: he wrote in his Atlantic Codex (Biblioteca Ambrosiana, Milan) that systems were used at that time to artificially breathe under water, but he did not explain them in detail due to what he described as “bad human nature”, that would have taken advantage of this technique to sink ships and even commit murders. Some drawings, however, showed different kinds of snorkels and an air tank (to be carried on the breast) that presumably should have no external connections. Other drawings showed a complete immersion kit, with a plunger suit which included a sort of mask with a box for air. The project was so detailed that it included a urine collector, too.

1531: Guglielmo de Lorena dives on two of Caligula’s sunken galleys using a diving bell from a design by Leonardo da Vinci.

1616: Franz Kessler built an improved diving bell.

Around 1620: Cornelius Drebbel may have made a crude rebreather: see Rebreather#History of rebreathers.

1650: Otto von Guericke built the first air pump.

1772: Sieur Freminet tried to build a scuba device out of a barrel, but died from lack of oxygen after 20 minutes, as he merely recycled the exhaled air untreated.

1776: David Bushnell invented the Turtle, first submarine to attack another ship. It was used in the American Revolution.

19th century

1800: Robert Fulton builds a submarine, the “Nautilus”

Diving helmets appear

1808: Brize-Fradin designed a small bell-like helmet connected to a low-pressure backpack air container .

1820: Paul Lemaire d’Augerville (a Parisian dentist) invented and made a diving apparatus with a copper backpack cylinder, and with a counter-lung to save air, and with an inflatable lifejacket connected. It was used down to 15 or 20 meters for up to an hour in salvage work. He started a successful salvage company .

1825: William H. James designed a self contained diving suit that had compressed air in an iron container worn around the waist.

1827: Beaudouin in France developed a diving helmet fed from an air cylinder pressurized to 80 to 100 bars. The French Navy was interested, but nothing came of this.

1829: Charles Anthony Deane and John Deane of Whitstable in Kent in England design the first air-pumped diving helmet for use with a diving suit. It is said that the idea started from a crude emergency rig-up of a fireman’s water-pump (used as an air pump) and a knight-in-armour helmet used to try to rescue horses from a burning stable. Others say that it was based on earlier work in 1823 developing a “smoke helmet”. However the suit was not attached to the helmet, so a diver could not bend over or invert without risk of flooding the helmet and drowning. Nevertheless, the diving system is used in salvage work, including the successful removal of cannon from the British warship HMS Royal George in 1834-35. This 108-gun fighting ship sank in 65 feet of water at Spithead anchorage in 1783.

1829: E.K.Gauzen, a Russian naval technician of Kronshtadt naval base (a district of Saint Petersburg), offers a “diving machine”. His invention was an air-pumped metallic helmet strapped to a leather suit (an overall). The bottom of the helmet is open. The helmet is strapped to the leather suit by metallic tape. Gauzen’s diving suit and its further modifications were used by the Russian Navy until 1880. The modified diving suit of the Russian Navy, based on Gauzen’s invention, was known as “three-bolt equipment”.

1837: Following up Leonardo’s studies, and those of Halley the astronomer, Augustus Siebe develops standard diving dress, a sort of surface supplied diving apparatus.

1837 By attaching the Deane brothers helmet to a suit, Augustus Siebe develops the Siebe “Closed” Dress combination diving helmet and suit, considered the foundation of modern diving dress. This was a significant evolution from previous models of “open” dress that did not allow a diver to invert. (Siebe-Gorman went on to manufacture helmets continuously until 1975).

The first diving regulator

1838: Dr. Manuel Guillaumet invented a twin-hose demand regulator. It was demonstrated used as surface-demand. Use duration was limited to 30 minutes by diving in cold water without a diving suit.

1839 Canadian inventors James Eliot and Alexander McAvity of Saint John, New Brunswick patent an “oxygen reservoir for divers”, a device carried on the diver’s back containing “a quantity of condensed oxygen gas or common atmospheric air proportionate to the depth of water and adequate to the time he is intended to remain below”.

1839: W.H.Thornthwaite of Hoxton in London patented an inflatable lifting jacket for divers .

Around 1842: The Frenchman Joseph Cabirol starts making standard diving dress.

1843: Based on lessons learned from the Royal George salvage, the first diving school is set-up by the Royal Navy.

1849: Saint-Simon-Sicard (a chemist) made the first practical oxygen rebreather. It was demonstrated in London in 1854 .

1856: Wilhelm Bauer starts the first of 133 successful dives with his second submarine Seeteufel. The crew of 12 was trained to leave the submerged ship through a diving chamber.

1860: Giovanni Luppis, a retired engineer of the Austro-Hungarian navy, demonstrates a design for a self-propelled torpedo to emperor Franz Joseph.

1863: H.L. Hunley becomes the first submarine to sink a ship, the USS Housatonic, during the American Civil War.

Diving set by Rouquayrol and Denayrouze with barrel-shaped bailout air tank on the diver’s back

1865: Benoit Rouquayrol and Auguste Denayrouze design a diving set with a backpack spherical air tank that supplied air through the first known demand regulator. The diver still walked on the seabed and did not swim. This set was called an arophore (Greek for “air-carrier”). But air pressure tanks made with the technology of the time could only hold 30 atmospheres, and the diver had to be surface supplied; the tank was for bailout. The durations of 6 to 8 hours on a tankful without external supply recorded for the Rouquayrol set in the book Twenty Thousand Leagues Under the Sea by Jules Verne, are wildly exaggerated fiction. Judging by Jules Verne’s inaccurate attempts in the book at describing how the Rouquayrol set worked, how the demand regulator works was not generally known or had already been forgotten when he wrote the book, which was published in 1870. But Jules Verne knew about the tendency of some divers, when surfacing into rain, to want to stay underwater to keep out of the rain.

1866: Minenschiff, the first self-propelled (locomotive) torpedo, developed by Robert Whitehead (to a design by Captain Luppis, Austrian Navy), is demonstrated for the imperial naval commission on December 21.

Gas and air cylinders appear

Late 19th century: Industry begins to be able to make high-pressure air and gas cylinders. That prompted a few inventors down the years to design open-circuit compressed air breathing sets, but they were all constant-flow, and the demand regulator did not come back until 1939.

1876: An English merchant seaman, Henry Fleuss, develops the first workable self-contained diving rig that uses compressed oxygen. This prototype of closed-circuit scuba uses rope soaked in caustic potash to absorb carbon dioxide so the exhaled gas can be re-breathed.

1893: Louis Boutan invents the first underwater camera.

Decompression sickness becomes a problem

1841: First documented case of decompression sickness occurs, reported by a mining engineer who observed pain and muscle cramps among coal miners working in mine shafts air-pressurized to keep water out.

1870: Bauer publishes outcomes of 25 paralyzed caisson workers.

From 1870 to 1910 all prominent symptoms/causes will be established: explanations at the time included: cold or exhaustion causing reflex spinal cord damage; electricity caused by friction on compression; or organ congestion and vascular stasis caused by decompression.

1871: The St Louis Eads Bridge employs 352 compressed air workers including Dr. Alphonse Jaminet as the physician in charge. There were 30 seriously injured and 12 fatalities. Dr. Jaminet himself suffered a case of decompression sickness when he ascended to the surface in four minutes after spending almost three hours at a depth of 95 feet in a caisson, and his description of his own experience was the first such recorded.

1872: The similarity between decompression sickness and iatrogenic air embolism as well as the relationship between inadequate decompression and decompression sickness is noted by Friedburg. He suggested that intravascular gas was released by rapid decompression and recommended: slow compression and decompression; four hour working shifts; limit to maximum depth 44.1 psig (4 ATA); using only healthy workers; and recompression treatment for severe cases.

1873: Dr. Andrew Smith first utilizes the term “caisson disease” describing 110 cases of decompression sickness as the physician in charge during construction of the Brooklyn Bridge. The project employed 600 compressed air workers. Recompression treatment was not used. The project chief engineer Washington Roebling suffered from caisson disease. (He took charge after his father John Augustus Roebling died of tetanus.) Washington’s wife, Emily, helped manage the construction of the bridge after his sickness confined him to his home in Brooklyn. He battled the after-effects of the disease for the rest of his life. During this project, decompression sickness became known as “The [Grecian] Bends” because afflicted individuals characteristically arched their backs: this is possibly reminiscent of a then fashionable women’s dance maneuver known as the Grecian Bend.

1878: Paul Bert Publishes La Pression barometrique, providing the first systematic understanding of the causes of DCS.

20th century

1900: John P. Holland builds the first submarine to be formally commissioned by the U.S. Navy, Holland (also called A-1).

1900: ## Leonard Hill uses a frog model to prove that decompression causes bubbles and that recompression resolves them.

1903: Siebe Gorman starts to make a submarine escape set in England; in the years afterwards it was improved, and later was called the Davis Escape Set or Davis Submerged Escape Apparatus.

1905 Several sources, including the 1991 US Navy Dive Manual (pg 1-8), state that the MK V Deep Sea Diving Dress was designed by the Bureau of Construction & Repair in 1905, but in reality, the 1905 Navy Handbook shows British Siebe-Gorman helmets in use. Since the earliest know MK V is dated 1916, these sources are probably referring to the earlier MK I, MK II, MK III & MK IV Morse and Schrader helmets.

1905: The first rebreather with metering valves to control the supply of oxygen is made.

1907: Draeger of Lbeck makes a rebreather called the U-Boot-Retter. = “submarine rescuer”.

1908: ## Arthur Boycott, Guybon Damant, and John Haldane publish “The Prevention of Compressed-Air Illness”, detailed studies on the cause and symptoms of decompression sickness, and propose a table of decompression stops to avoid the effects.

1908: ## The Admiralty Deep Diving Committee adopts the Haldane tables for the Royal Navy, and publish Haldane’s diving tables to the general public.

1912: ## US Navy adopts the decompression tables published by Haldane, Boycott and Damant. Driven by Chief Gunner George Stillson, the navy sets up a program to test tables and staged decompression based on the work of Haldane.

1913 The Navy also begins developing the future MK V, influenced by Schrader and Morse designs.

1915 The submarine USS F-4 is salvaged from 304 feet establishing the practical limits for air diving. Three US Navy divers, Frank W. Crilley, William F. Loughman, and Nielson, reached 304 fsw using the MK V dress.

1916 With the addition of a battery-powered telephone, the design of the MK V is finalized however, several more design improvements are made over the next two years.

1916: The Draeger model DM 2 becomes standard equipment of the German Navy.

1917 The Bureau of Construction & Repair introduces the MK V helmet and dress, which then becomes the standard for US Navy diving until the introduction of the MK 12 in the late seventies

1918: Ohgushi (he was Japanese) patents “Ohgushi’s Peerless Respirator”. It was a constant-flow diving and industrial open-circuit breathing set. The user breathed through his nose and switched the air on and off with his teeth.

Around 1920: Hanseatischen Apparatebau-Gesellschaft make a 2-cylinder breathing apparatus with double-lever single-stage demand valve and single wide corrugated breathing tube with mouthpiece, and a “duck’s beak” exhalent valve in the regulator. It was described in a mine rescue handbook in 1930. They were successors to Ludwig von Bremen of Kiel, who had the licence to make the Rouquayrol-Denayrouze apparatus in Germany .

1924 Yves le Prieur invented a hand-controlled self-contained underwater breathing apparatus. It delivered air at constant pressure without a demand regulator. He first experimented with it in 1926.

1926: Draeger displayed a rescue breathing apparatus that the wearer could swim with. While the previous devices served only for ascending to the surface and were designed also to develop lift so that the wearer arrived at the surface without swimming movements, the diving set had weights, which also made it possible to dive down with it, to search and save after an accident.

1937: US Navy publishes its revised diving tables based on the work of O.D. Yarbrough.

Swim-diving starts

The 1930s:

In France, Guy Gilpatrick starts swim diving with waterproof goggles, derived from swimming goggles (which were originally intended to keep salt water out of the eyes at the surface).

Sport spearfishing became common in the Mediterranean, and spearfishers gradually developed the common sport diving mask and fins and snorkel, with mostly Georges Beuchat in Marseille, France, which created the speargun and the 1st isothermic wetsuit, and Italian sport spearfishers started using oxygen rebreathers. This practice came to the attention of the Italian Navy, which developed its frogman unit Decima Flottiglia MAS using oxygen rebreathers and manned torpedoes, playing a large role in World War II.

1933:

In France, Louis de Corlieu patents the first swimming swimfins.

In San Diego, California, the first sport diving club is started, called the Bottom Scratchers. As far as it is known, it did not use breathing sets; its main aim was spearfishing.

More is known of Yves Le Prieur’s constant-flow open-circuit breathing set. It is said that it could allow a 20 minute stay at 7 meters and 15 minutes at 15 meters. It has one cylinder feeding into a circular fullface mask. Its air cylinder was often worn at an angle to get its on/off valve in reach of the diver’s hand; this would have caused an awkward skew drag in swimming.

1934:

In France, establishment of Beuchat, oldest scuba diving and spearfishing company in the world,

In France a sport diving club is started, called the Club des Sous-l’Eau. It did not use breathing sets as far as is known. Its main aim was spearfishing.

Otis Barton and William Beebe dive to 3028 feet using a bathysphere.

1935: The French Navy adopts the Le Prieur breathing set.

1936: On the French Riviera, the first known sport scuba diving club started. It used Le Prieur’s breathing sets.

1937: The American Diving Equipment and Salvage Company (now known as DESCO) develops a heavy bottom-walking-type diving suit with a self-contained mixed-gas helium and oxygen rebreather.

1937: ## US Navy publishes its revised diving tables based on the work of O.D. Yarbrough.

1939: Hans Hass developed from the escape set a type of rebreather with its bag on his back and two breathing tubes but no backpack box. These sets appear much in his movies and books.

1954: Underwater hockey (octopush) is invented by four navy sub-aqua divers in Southsea who got bored swimming up and down and wanted a fun way to keep fit.

The diving regulator reappears

1937: Georges Commeinhes developed a two-cylinder open-circuit apparatus with demand regulator. The regulator was a big rectangular box between the cylinders. Some were made, but WWII interrupted development.

World War II

1939: Georges Commeinhes offers his breathing set to the French Navy, which could not continue developing uses for it because of WWII.

July 1943: Commeinhes reached 53 meters (about 174 feet) using his breathing set off the coast of Marseille.

1944: Commeinhes died in the liberation of Strasbourg in Alsace. His invention was submerged by Cousteau’s invention.

Christian J. Lambertsen of the United States designed a ‘Self-Contained Underwater Oxygen Breathing Apparatus’ for the U.S. military. It was a rebreather. It was the first device to be called SCUBA.

Various nations use frogmen equipped with rebreathers for some of the best known and most spectacular war actions: see Human torpedo.

Hans Hass later said that during WWII the German diving gear firm Drger offered him an open-circuit scuba set with a demand regulator. It may have been a separate invention, or it may have been copied from a captured Commeinhes-type set.

1943: Jacques Cousteau and Emile Gagnan invent and make an open-circuit diving breathing set, using a demand regulator which Gagnan modified from a demand regulator used to let a petrol-driven car run on a big bag of coal-gas carried on its roof during wartime shortages of petrol. Cousteau had his first dives with it. He made two more aqualungs: there were now 3, one each for Cousteau and his first two diving companions Frdric Dumas and Taillez. His aqualung remained a secret until the south of France was liberated. This type of breathing set was later named the “Aqua-Lung”. This word is correctly a tradename that goes with the Cousteau-Gagnan patent, but in Britain it has been commonly used as a generic and spelt “aqualung” since at least the 1950s, including in the BSAC’s publications and training manuals, and describing scuba diving as “aqualunging”.

Early 1944: the USA government, to try to stop men from being drowned in sunken army tanks, asked the company Mine Safety Appliances (MSA) for a suitable small escape breathing set. MSA provided a small open-circuit breathing set with a small (5 to 7 liters) air cylinder, a circular demand regulator with a two-lever system similar to Cousteau’s design (connected to the cylinder by a nut and cone nipple connection), and one corrugated wide breathing tube connected to a mouthpiece. This set was stated to be made from made from “off-the-shelf” items, which shows that MSA had that regulator design before; also, that regulator looks like the result of development and not a prototype; it may have arisen around 1943. In an example recovered in 2003 form a submerged Sherman tank in the Bay of Naples the cylinder was bound round in tape and tied to a lifejacket. These sets were too late for the D-day landings in June 1944, but were used in the invasion of the south of France and in the South Pacific war.

1944: In October, Frdric Dumas reaches 62 meters (about 200 feet) with a Cousteau aqualung.

1945: Cousteau’s first aqualung is destroyed by a mis-aimed artillery shell in an Allied landing on the French Riviera: that left two. Afterwards, he had more aqualungs made and gathered more men and taught them to aqualung dive. In Toulon he started an unofficial mine-clearing and wreck-clearing unit. Later this unit was made official. One of the men who he trained was Broussard, who founded the first post-WWII scuba diving club, the Club Alpin Sous-Marin.

Postwar

The public first hears about frogmen.

The first known underwater diving club in Britain, “The Amphibians Club”, is formed in Aberdeen by Ivor Howitt (who modified an old civilian gas mask) and some friends. They called underwater diving “fathomeering”, to distinguish from jumping into water .

1946:

Cousteau-type aqualungs go on sale in France.

Yves Le Prieur invents a new version of his breathing set. Its fullface mask’s front plate was loose in its seating and acted as a very big, and therefore, very sensitive diaphragm for a demand regulator: see Diving regulator#Demand valve.

The Cave Diving Group (CDG) is formed in Britain.

1948: Auguste Piccard sends the first bathyscaphe, FNRS-2, on unmanned dives.

Siebe Gorman and/or Heinke start making Cousteau-type aqualungs in England. Captain Trevor Hampton had a dive with one. Siebe Gorman and the Royal Navy expected aqualungs to be used with weighted boots for bottom-walking for light commercial diving: see Aqua-lung#”Tadpoles”.

Ted Eldred in Australia starts designing the first open-circuit single-hose scuba set known: see Porpoise (make of scuba gear).

Georges Beuchat in France creates the first surface buoy.

1948 or 1949: Rene’s Sporting Goods shop in California imports aqualungs from France. Hollywood sees them and gets interested.

1949: Otis Barton makes record dive to 4,500 feet in his Benthoscope.

1950: Cousteau-type aqualungs go on sale (but very expensive) to industry and civilians in Britain. Siebe Gorman made it at Chessington.

A British naval diving manual printed soon after this said that the aqualung is to be used for walking on the bottom with a heavy diving suit and weighted boots, and did not mention Cousteau.

A report to Cousteau said that only 10 aqualung sets had been sent to the USA because the market there was saturated.

The first camera housing called Tarzan is released by Georges Beuchat,

1951: The movie “The Frogmen” is released. It is set in the Pacific Ocean in WWII. In its last 20 minutes, it shows USA frogmen, using bulky 3-cylindered aqualungs on a combat mission. This equipment use is anachronistic (in reality they would have used rebreathers), but it shows that aqualungs were available (even if not widely known of) in the USA in 1951.

1951: The US Navy starts to develop wetsuits, but not known to the public. .

1951: In December, the first issue of Skin Diver Magazine (USA) appears. The magazine ran until November 2002.

Cousteau-type aqualungs go on sale in Canada.

1952: Cousteau-type aqualungs go on sale in the USA.

Ted Eldred in Australia starts making for public sale the Porpoise (make of scuba gear). This was the world’s first commercially available single-hose scuba unit and was the forerunner of most sport SCUBA equipment produced today.

Public interest in scuba diving takes off

1953: The National Geographical Society Magazine publishes an article about Cousteau’s underwater archaeology at Grand Conglou island near Marseille, and in French-speaking countries a diving film called paves (Shipwrecks) came out. That started a massive public demand for aqualungs and diving gear, and in France and America the diving gear makers started making them as fast as they could. But in Britain Siebe Gorman and Heinke kept aqualungs expensive, and restrictions on exporting currency stopped people from importing them. Many British sport divers used home-made constant-flow breathing sets and ex-armed forces or ex-industrial rebreathers. In the early 1950s, diving regulators made by Siebe Gorman cost 15, which was an average week’s salary.

After the supply of war-surplus frogman’s drysuits ran out, free-swimming diving suits were not readily available to the general public, and as a result many scuba divers dived with their skin bare except for swimming trunks. That is why scuba diving used often to be called skindiving. Others dived in homemade drysuits, or in thick layers of ordinary clothes.

After the supply of war-surplus frogman’s fins dried up, for a long time fins were not available to the public, and some had to resort to such things as gluing marine ply to plimsoles.

Captain Trevor Hampton founds the British Underwater Centre at Dartmouth in Devon in England.

Rene’s Sporting Goods shop (now owned by Spirotechnique) becomes U.S. Divers, now a leading maker of diving equipment.

Georges Beuchat in Marseille, France invent and release the first isothermic wetsuit.

15 October 1953: The BSAC is founded.

1954: USS Nautilus, the first nuclear-powered submarine, is launched.

The first manned dives occur in the bathyscaphe FNRS-2.

First scuba certification course in the USA is offered by the Los Angeles County Department of Parks and Recreation. Program created by Albert Tillman and Bev Morgan now known as LA County Scuba.

1954: In the USA, MSA advertises (in Popular Mechanics magazine) a two-cylinder aqualung-like open-circuit diving set using the MSA regulator.

1955: In Britain, “Practical Mechanics” magazine publishes an item “Making an Aqualung”.

1955: Louis Malle, a young film maker of 23, and Jacques-Yves Cousteau shoot The Silent World, one of the first films to use underwater cinematography to show the ocean depths in color.

1956: Wetsuits become available to the public.

1956: ## US Navy publishes tables that allow for repetitive diving.

Around this time, some British scuba divers start making homemade diving demand regulators from industrial parts, including Calor Gas regulators. (Since then, Calor Gas regulators have been redesigned, and this conversion is now impossible.)

Later, Submarine Products Ltd in Hexham in Northumberland, England designed round the Cousteau-Gagnan patent and made sport diving breathing sets accessibly cheap. This forced Siebe Gorman’s and Heinke’s prices down and started them selling to the sport diving trade. (Siebe Gorman gave its drysuit the tradename “Frogman”.) Because of this better availability of aqualungs, BSAC’s policy towards rebreathers became merely “Here be dragons: keep out!” and remained so for a long time. In the USA, some oxygen diving clubs developed down the years. Eventually, the Cousteau-Gagnan patent time-expired and any firm could legally copy it.

1956: The Silent World receives an Academy Award for Best Documentary Feature, and the Palme d’Or award at the Cannes Film Festival.

1957: The television series Sea Hunt begins. It introduces scuba diving to the television audience. It ran until 1961.

1958: USS Nautilus completes the first ever voyage under the polar ice to the North Pole and back.

1958: The CMAS (World Underwater Federation) is founded in Brussels.

1959: NAUI is founded by Albert Tillman and Neal Hess.

1960: Jacques Piccard and Lieutenant Don Walsh, USN, descend to the bottom of the Challenger Deep, the deepest known point in the ocean (about 10900m or 35802 feet = 6.78 miles) in the bathyscaphe Trieste: see at this link andthis link

USS Triton completed the first ever underwater circumnavigation of the world.

In Italy, sport diving oxygen rebreathers continued to be made well into the 1960s.

1964: in France, Georges Beuchat create the Jetfins, first vented fins.

1965: ## Robert D. Workman of the U.S. Navy Experimental Diving Unit (NEDU) publishes an equation for computing decompression requirements suitable for implementing in a dive computer, rather than a pre-computed table.

The film version of James Bond in Thunderball (using both sorts of open-circuit scuba) is released and helps to make scuba diving popular.

1966: PADI starts.

1968: First known rebreather with electronic parts is made: the Electrolung.

1971: Scubapro introduces the Stabilization Jacket, now in England commonly called stab jacket, and elsewhere Buoyancy Control (or Compensation) Device (BC or BCD).

1972: Scubapro introduces the decompression meter (the first analogic dive computer).

1976: ## Professor Albert A. Bhlmann publishes his work extending the equations to adapt to diving at altitude and with complex gas mixes.

1983: The Orca Edge (the first electronic dive computer) is introduced.

1985: The wreck of RMS Titanic is found. Air India Flight 182, a Boeing 747 aircraft, is found and salvaged off Cork, Ireland during the first large scale deep water (6,200 feet) air crash investigation.

1989: The film The Abyss (including an as-yet-fictional deep-sea liquid-breathing set) helps to make scuba diving popular.

The Communist Bloc falls and the Cold War ends (see Fall of Communism and Collapse of the Soviet Union), and with it the risk of future attack by Communist Bloc forces including by their combat divers. After that, the world’s armed forces had less reason to requisition rebreather patents submitted by civilians, and sport diving automatic and semi-automatic mixture rebreathers start to appear. See “rebreather history” link below.

1995: BSAC allows Nitrox diving and introduced Nitrox training.

1996: PADI releases their Enriched Air Diver Course.

1997: The film Titanic helps to make underwater trips onboard MIR submersible vehicles popular.

1998 August: Dives on RMS Titanic occur using Remotely Operated Vehicle controlled from the surface (Magellan 725). First ever live video broadcast from the sunken White Star liner is made.

1999 July: The Liberty Bell 7 Mercury spacecraft is raised from 16,043 feet (4891 m) of water in the Atlantic Ocean during the deepest commercial search and recovery operation to date.

2001 December: The BSAC allows rebreathers to be used in BSAC dives.

Notes

^ Entries marked ## are about decompression tables.

^ Arthur J. Bachrach, “History of the Diving Bell”, Historical Diving Times, Iss. 21 (Spring 1998)

^ a b c d e f g h Acott, C. (1999). “A brief history of diving and decompression illness.”. South Pacific Underwater Medicine Society journal 29 (2). ISSN 0813-1988. OCLC 16986801. http://archive.rubicon-foundation.org/6004. Retrieved 2009-03-17. 

^ a b c d e Historical Diving Society magazine issue 45, page 37

^ Edmonds, Carl; Lowry, C; Pennefather, John. “History of diving.”. South Pacific Underwater Medicine Society Journal 5 (2). http://archive.rubicon-foundation.org/5894. Retrieved 2009-03-17. 

^ Mario Theriault, Great Maritime Inventions 1833-1950, Goose Lane, 2001, p. 46

^ a b Quick, D. (1970). “A History Of Closed Circuit Oxygen Underwater Breathing Apparatus”. Royal Australian Navy, School of Underwater Medicine. RANSUM-1-70. http://archive.rubicon-foundation.org/4960. Retrieved 2009-03-16. 

^ a b Butler WP (2004). “Caisson disease during the construction of the Eads and Brooklyn Bridges: A review”. Undersea Hyperb Med 31 (4): 44559. PMID 15686275. http://archive.rubicon-foundation.org/4028. Retrieved 2008-06-19. 

^ Bert, P. (originally published 1878). “Barometric Pressure: researches in experimental physiology”. Translated by: Hitchcock MA and Hitchcock FA. College Book Company; 1943. 

^ Boycott, A. E.; G. C. C. Damant, J. S. Haldane. (1908). “Prevention of compressed air illness”. J. Hygiene 8: 342443. http://archive.rubicon-foundation.org/7489. Retrieved 2008-08-06. 

^ a b c d e Carter Jr, R. C. (1977). “Pioneering Inner Space: The Navy Experimental Diving Unit’s First 50 Years”. US Naval Experimental Diving Unit Technical Report NEDU-1-77. http://archive.rubicon-foundation.org/4799. Retrieved 2008-04-21. 

^ Historical Diving Society magazine issue 45, page 43

^ Vann RD (2004). “Lambertsen and O2: beginnings of operational physiology”. Undersea Hyperb Med 31 (1): 2131. PMID 15233157. http://archive.rubicon-foundation.org/3987. Retrieved 2009-03-16. 

^ Butler FK (2004). “Closed-circuit oxygen diving in the U.S. Navy”. Undersea Hyperb Med 31 (1): 320. PMID 15233156. http://archive.rubicon-foundation.org/3986. Retrieved 2009-03-16. 

^ a b Historical Diving Times, issue #44 (summer 2008), pages 5-12

^ Fulton, H. T.; Welham W., Dwyer J. V., Dobbins, R. F. (1952). “Preliminary Report on Protection Against Cold Water”. US Naval Experimental Diving Unit Technical Report NEDU-5-52. http://archive.rubicon-foundation.org/3387. Retrieved 2008-04-21. 

^ Valentine, R. BSAC: The Club 1953-2003. BSAC. ISBN 9780953891955. 

^ a b c BSAC. “Section 1.1 A Brief History of the British Sub-Aqua Club”. BSAC. http://www.bsac.org/page/52/11-brief-history-of-bsac.htm. Retrieved 2008-09-05. 

^ “LA County Scuba” (in en-US). LACountyScuba.com. http://www.lacountyscuba.com/. Retrieved 2009-07-16. 

^ Workman, R. D. (1965). “Calculation of Decompression Schedules for Nitrogen-Oxygen and Helium-Oxygen Dives”. US Naval Experimental Diving Unit Technical Report NEDU-6-65. http://archive.rubicon-foundation.org/3367. Retrieved 2008-04-21. 

^ Bni M., Schibli R., Nussberger P., Bhlmann Albert A. (1976). “Diving at diminished atmospheric pressure: air decompression tables for different altitudes”. Undersea Biomedical Research 3 (3): 189204. ISSN 0093-5387. OCLC 2068005. PMID 969023. http://archive.rubicon-foundation.org/2750. Retrieved 2009-03-16. 

^ Allen, C (1996). “BSAC gives the OK to nitrox. reprinted from Diver 1995; 40(5) May: 35-36.”. South Pacific Underwater Medicine Society journal 26 (4). ISSN 0813-1988. OCLC 16986801. http://archive.rubicon-foundation.org/6275. Retrieved 2008-09-05. 

^ Richardson, D and Shreeves, K (1996). “The PADI Enriched Air Diver course and DSAT oxygen exposure limits.”. South Pacific Underwater Medicine Society journal 26 (3). ISSN 0813-1988. OCLC 16986801. http://archive.rubicon-foundation.org/6310. Retrieved 2008-09-05. 

References

Mark Lonsdale, The Evolution of US Navy Diving.

Other diving history timelines (external links)

There are other diving history chronologies at:

Diving Lore from its origins to the aqualung breakthrough.

rebreather history

hem.passagen.se

marinebio.org

BSAC info

Rebreather Diving History

Museum of old scuba gear

History of Cave Diving

Categories: Technology timelines | Underwater divingHidden categories: Articles needing additional references from January 2009 | All articles needing additional references

The Texas Chain Saw Massacre

08.28.10

Plot

Sally Hardesty (Marilyn Burns) and her brother Franklin (Paul A. Partain) travel with three friends to a cemetery holding the grave of Hardestys’ grandfather. They aim to investigate reports of vandalism and of corpse-defilement. Afterward, they decide to visit an old Hardesty family homestead, and on the way, the group picks up a hitchhiker (Edwin Neal). The man speaks and acts bizarrely, and then slashes himself and Franklin with a straight razor before being forced from the group’s van. The group stops at a gas station to fuel their vehicle, but when they find out from the proprietor (Jim Siedow) that the pumps are empty, the group continues to the homestead, intending to return to the gas station later after a fuel truck makes its delivery. Franklin tells Kirk (William Vail) and Pam (Teri McMinn) about a local swimming hole, and the couple heads off to find it. Instead, they stumble upon a nearby house. Kirk decides to ask the residents for some gas, while Pam waits on the front steps.

Receiving no answer but finding the door unlocked, Kirk enters the house; Leatherface (Gunnar Hansen) suddenly appears and kills him. Pam enters soon after to find the house filled with furniture made from human bones. She attempts to flee but Leatherface catches her and impales her on a meathook. At sunset, Sally’s boyfriend Jerry (Allen Danziger) heads out to look for the others. Finding the couple’s blanket outside the house, he investigates and finds Pam still alive inside a freezer. Before he can react, Leatherface appears and murders him, stuffing Pam back inside the freezer afterward.

With darkness falling, Sally and Franklin set out to find their friends. As they near the killer’s house, calling for the others, Leatherface lunges out of the darkness and murders Franklin with a chainsaw. Sally escapes to the house only to find the desiccated remains of an elderly couple in an upstairs room. With Leatherface still pursuing her, she jumps through a second floor window and continues to flee, eventually arriving at the gas station. As she reaches it, Leatherface disappears into the night. The proprietor at first calms her with offers of help, then binds her with rope and forces her into his truck. He drives to the house, arriving at the same time as the hitchhiker, who turns out to be Leatherface’s younger brother. The pair bring Sally inside, with the hitchhiker taunting her when he realizes who she is.

The men torment the bound and gagged Sally while Leatherface, now dressed as a woman, serves dinner. The old man from upstairs is still alive, and brought to the table to join the meal. During the night, they decide Sally should be killed by “Grandpa” (John Dugan) out of respect for his work at the slaughter house when he was younger. “Grandpa” is too weak to hit Sally with a hammer, repeatedly dropping it. In the confusion, Sally breaks free, leaps through a window and escapes from the house, running out into the road. Leatherface and the hitchhiker give chase, but the hitchhiker is run down and killed by a passing semi-trailer truck. Armed with his chainsaw, Leatherface attacks the truck when the driver stops to help, and is hit in the face with a large wrench wielded by the driver. Sally escapes in the bed of a passing pickup truck as Leatherface waves the chainsaw above his head in frustration.

Production

Development

“I definitely studied Gein,…. but I also noticed a murder case in Houston at the time, a serial murderer you probably remember named Elmer Wayne Henley. He was a young man who recruited victims for an older homosexual man. I saw some news report where Elmer Wayne… said, ‘I did these crimes, and I’m gonna stand up and take it like a man” Well, that struck me as interesting, that he had this conventional morality at that point. He wanted it known that, now that he was caught, he would do the right thing. So this kind of moral schizophrenia is something I tried to build into the characters.”

  Kim Henkel

The concept for the film arose in the early 1970s while Hooper worked as a college professor at the University of Texas at Austin and as a documentary cameraman. He had previously developed the idea of a film centering on isolation, the woods, and darkness, and continued to explore these ideas as he thought up the concept of the film. He also credited the local San Antonio news as part of the inspiration for the film, due to the graphic nature of the story being featured. Development took place using the working titles of Headcheese and Leatherface. Hooper based the plot loosely on the murders committed by 1950s Wisconsin serial killer Ed Gein, who served as the inspiration for a number of other horror films.

In discussing influences on the film, Hooper cites the impact of changes in the cultural and political landscape. He directly correlates the intentional misinformation that the “film you are about to see is true” as a response to being “lied to by the government about things that were going on all over the world,” including Watergate, the gasoline crisis, and “the massacres and atrocities in the Vietnam War.” The additional “lack of sentimentality and the brutality of things” that Hooper noticed in watching the local news whose coverage was graphic, “showing brains spilled all over the road” led to his belief “that man was the real monster here, just wearing a different face, so I put a literal mask on the monster in my film.” The idea for featuring a chainsaw came to Hooper while in the hardware section of a crowded store as he contemplated a way to get out quickly through the crowd.

Hooper and Kim Henkelhe original writers of the screenplayormed a corporation named Vortex, Inc., with Henkel as president and Hooper as vice president. They asked Bill Parsley, a friend of Hooper’s, to provide funding for the film. Parsley then formed a company named MAB, Inc. and invested $60,000 towards making the film. In return, MAB owned fifty percent of the film and its profits. Production manager Ron Bozman told most of the cast and crew to defer parts of their salaries until after the movie was sold. Vortex made the idea more attractive by awarding nearly everyone with a share of Vortex’s potential profits, ranging from .25 to six percent (similar to mortgage points). Due to a miscommunication among Vortex and the others, the cast and crew were not informed that Vortex owned only fifty percent of the film, thereby making their points worth half of the assumed value.

The crew had exceeded the original $60,000 budget for the film during the editing process, which, by that time, had amounted to a total of $140,000. Pie in the Sky (P.I.T.S.) donated $23,532 in exchange for 19 percent of Vortex’s 50 percent share of the profits. That left Henkel and Hooper with 45 percent of Vortex between them, and the remaining 36 percent divided among 20 cast and crew members. Warren Skaaren made a deal as an equal partner with Hooper and Henkel, along with a 15 percent share of Vortex. Skaaren received a deferred salary of $5,000 and three percent of the gross profits (MAB and Vortex combined). David Foster, producer of the 1982 horror film The Thing had arranged for a private screening for some of Bryanston Distributing Company’s West Coast executives, and received 1.5 percent of Vortex’s profits and a deferred fee of $500.

On August 28, 1974, Louis (Butchi) Periano of Bryanston Distribution Company offered Bozman and Skaaren a contract of $225,000 and 35 percent of the profits from the worldwide distribution of the film. Years later, Bozman stated, “We made a deal with the devil, [sigh], and I guess that, in a way, we got what we deserved.” They signed the contract with Bryanston. After the investors recouped their money (including interest), Skaaren’s salary and monitoring fee were paid, and the lawyers and accountants were paid, leaving only $8,100 to be divided among the 20 members of the cast and crew. Eventually the producers sued Bryanston for failing to pay them their full percentage of the box office profits. A court judgement fined Bryanston the sum of $500,000 to be paid to the filmmakers, and by then the company had declared bankruptcy. Bryanston Pictures folded in 1976, when Louis Peraino was convicted on obscenity charges for his role during the production of the film Deep Throat (1972). New Line Cinema took over from Bryanston and gave the producers a bigger percentage of the gross profits than Bryanston initially had paid them.

Casting

Many of the cast members had few or no previous acting credits. The cast consisted of actors around Texas who had previous roles in commercials or television and stage shows, as well as actors who were acquaintances of Hooper. Involvement in the film propelled many cast members into the motion-picture industry. The lead role of Sally went to the then-unknown Marilyn Burns. Burns had appeared previously on stage, and while attending the University of Texas at Austin, she joined its film commission board. Teri McMinn was a student and worked with various local theater companies, including the Dallas Theater Center. Henkel spotted her picture in the Austin American-Statesman, and called McMinn to come in for a reading. On her last call-back, he requested that she wear short shorts. Her costume proved to be the most comfortable of all the cast members’ costumes, taking into consideration the Texas heat that was to last throughout the entire shoot. Icelandic-American actor Gunnar Hansen gained the role of Leatherface. In preparing for his role, Hansen came to envisage Leatherface as mentally retarded and as never having learned to speak properly. Hansen visited a school for the mentally challenged and watched how the students moved and spoke to get a feel for his character. Hansen recalled, “It was 95, 100 degrees every day during filming. They wouldn’t wash my costume because they were worried that the laundry might lose it, or that it would change color. They didn’t have enough money for a second costume. So I wore that [mask] 12 to 16 hours a day, seven days a week, for a month.”

Filming

Filming took place in Austin, Round Rock and Bastrop, Texas from July 15, 1973 through August 14, 1973, lasting more than four weeks. The cast and crew found the filming conditions tough. High temperatures occurred during filming, with the record high on July 26 at 97F (36C). The record low during the shoot was on July 31 at 83F (28.3C). The house was not cooled, and all ventilation was closed due to the scene being set for night time. The film was shot mainly using an Eclair NPR 16 mm camera, blown up to 32 mm; the low speed of the film required four times more light than modern cameras. Because of the small budget, the crew filmed seven days a week, 12 to 16 hours a day, while having to deal with high humidity. The largest proportion of the filming took place in a remote farmhouse filled with furniture constructed from animal bones and using a latex material as upholstery to give the appearance of human skin. The crew covered the walls of the house with splats of dried blood to give the house an authentic look.

Art director Robert A. Burns drove around the countryside, collecting the bones of cattle and other animals in various stages of decomposition, which he used to litter the floors of the house. The film’s special effects were simple and limited by the budget. The filmmakers discovered at least 100 marijuana plants at the back of the farmhouse: they belonged to the person renting the house at the time. The local sheriff was called to investigate, but did not arrive and the filmmakers were never reported. The blood depicted was sometimes real. During the filming of the scene in which Leatherface feeds Grandpa, the crew had difficulties getting the stage blood to come out of the tube, so Burns’ index finger was cut with a razor. Burns’ costume was so drenched in stage blood that it was virtually solid on the last day of shooting. The scene after Pam is hung on the meathook, when Leatherface first uses his chainsaw, caused some worry to actor Vail (Kirk). Kirk was about to have his head cut off, and actor Hansen (Leatherface) told Vail not to move or he would literally be killed. Hansen then brought down the running chainsaw within three inches of Vail’s face.

Release

Upon the completion of post-production, filmmakers found it difficult to secure a distributor willing to market the film, due to the graphic content; however, on August 28, 1974, the Bryanston Distributing Company agreed to distribute the film. The Texas Chain Saw Massacre premiered on October 1, 1974 in Austin, Texas, almost a year after the completion of filming. The film screened nationally in the United States as a Saturday afternoon matine, and found success with a broader audience after it was falsely marketed as being a “true story”. After 1976, the film was reissued to first run theaters, every year, for eight years, with full-page ads.

Hooper reportedly hoped that the MPAA would give the complete, uncut release print a PG rating due to the minimal amount of gore presented in the film; The film was eventually was released by the MPAA uncensored with an R rating. The film was banned in many countries including Australia, Brazil, Finland, West Germany, Chile, Iceland, Ireland, Norway, Singapore, Sweden and the United Kingdom. After the initial release, including a one year theatrical run in London, the film was banned in the United Kingdom largely on the authority of British Board of Film Classification (BBFC) Secretary James Ferman, but saw a limited cinema release because of various city councils, including Camden Council, which granted a license to The Texas Chain Saw Massacre, which was later classified 18 by the BBFC. Censors attempted to edit the film for the purposes of a wider release in 1977 but were unsuccessful. At the time of the film’s banning, the word “chainsaw” became outlawed in film titles, forcing studios to retitle their movies. One such film, Hollywood Chainsaw Hookers was retitled Hollywood Hookers, with an image of a chainsaw replacing the word. The BBFC passed the film in 1999 with no cuts. The Texas Chain Saw Massacre was broadcast a year later on Channel 4.

Australia’s Censorship Board first viewed The Texas Chain Saw Massacre in June 1975 and swiftly refused to register the 83-minute print. The distributor appealed to the Review Board, which upheld the decision in August 1975. The distributor prepared a reconstructed 77-minute version, only to see it banned again in December 1975. In 1976, the Australian authorities also banned the edited version of the film. It would take five years for the film to be re-presented to the censors, and the film was banned again. Greater Union Organisation (GUO) Film Distributors were refused registration for a 2283.4 (83m 27s) print in July 1981. The reason given for the ban was frequent and gratuitous violence of high intensity. An 83-minute print submitted by Filmways Australia was approved for an R rating in January 1984.

Reception

The Texas Chain Saw Massacre grossed more than $30 million in the United States, making it one of the most successful independent films. It was overtaken in 1978 by John Carpenter’s Halloween, which grossed $47 million at the box office upon release. It was selected for the 1975 Cannes Film Festival Directors’ Fortnight, though the viewing was delayed due to a bomb scare. In 1976, the film won the Grand Prize at the Avoriaz Fantastic Film Festival in France. The film was generally well-received by most critics, TV Guide called it “an intelligent, absorbing, and deeply disturbing horror film that is nearly bloodless in its depiction of violence”, and Empire called it “the most purely horrifying horror movie ever made”. Chicago Reader said, “The picture gets to you more through its intensity than its craft, but Hooper does have a talent.” Film review aggregate website Rotten Tomatoes gave the film a 90% “fresh” rating.

Some reviewers disliked the film’s violence and gory special effects. The film’s release in San Francisco saw moviegoers walking out of theatres in disgust. In February 1976, theatres in Ottawa, Canada were asked to withdraw The Texas Chain Saw Massacre due to concern about increasing violence being associated with the film. Linda Gross of the Los Angeles Times called it a “despicable film” and described Henkel and Hooper as being “less concerned with a plastic script”. Roger Ebert of the Chicago Sun-Times wrote, “‘The Texas Chainsaw Massacre’ is as violent and gruesome and blood-soaked as the title promises … without any apparent purpose, unless the creation of disgust and fright is a purpose … and yet it’s well-made, well-acted, and all too effective.” Steve Crum of Dispatch-Tribune Newspapers criticized the film, describing it as “cultish trash that set new low standards for brutality”. In his 1976 article “Fashions in Pornography” for Harper’s Magazine, writer Stephen Koch described The Texas Chain Saw Massacre as “unrelenting sadistic violence as extreme and hideous as a complete lack of imagination can possibly make it”. Bruce Westbrook of the Houston Chronicle called the film “a backwoods masterpiece of fear and loathing, Texas style.”

Thirty-six years later, some critics called The Texas Chain Saw Massacre one of the scariest movies ever made. Mike Emery of the Austin Chronicle said that the film was “horrifying, yet engrossing … But the worst part about this vision is that despite its sensational aspects, it never seems too far from what could be the truth”. Noted reviewer Rex Reed called it “The most terrifying motion picture I have ever seen.” Fellow horror director Wes Craven has reminisced of his first viewing of the film, stating that he wondered “what kind of Mansonite crazoid” could have “conjured up such a visceral and punishing experience.” Horror novelist Stephen King considers it “cataclysmic terror”, and stated, “I would happily testify to its redeeming social merit in any court in the country.” Variety stated, “Despite the heavy doses of gore in The Texas Chain Saw Massacre, Tobe Hooper’s pic is well-made for an exploiter of its type.” The film has also been declared one of the few horror movies to invoke “the authentic quality of nightmare”.

Home media

Since The Texas Chain Saw Massacre’s premiere, the film has appeared on various home video formats, including VHS, laserdisc, CED, DVD, UMD and Blu-ray Disc. It was first released on videotape and CED format in the 1980s by Wizard Video and Vestron Video. The film was again banned in the United Kingdom in 1984, during the moral panic surrounding video nasties. After the retirement of its secretary, Ferman, in 1999, the BBFC passed the film uncut on cinema and video, with the 18 certificate, almost 25 years after the original release. The Texas Chain Saw Massacre was originally released on DVD format in October 1998 for the United States, and, due to the controversy surrounding the film, in May 2000 for the United Kingdom. A revised DVD edition of the film was released in 2007 in Australia, after initially being released on DVD in 2001. A region 1 two-disc edition was released by Dark Sky Films, The Texas Chainsaw Massacre: Ultimate Edition. The release included several interviews, improved audio and picture quality, and other features such as deleted scenes. Reviews for the release were extremely positive, with critics praising the sound and picture quality of the restoration. A region 0 three-disc DVD edition, entitled The Texas Chain Saw Massacre: Seriously Ultimate Edition, was released in the United Kingdom on November 3, 2008. Dark Sky Films released a Blu-ray Disc version of the film on September 30, 2008. The Blu-ray was subsequently released by Second Sight Films in the United Kingdom on November 16, 2009.

Legacy and influence

The Texas Chain Saw Massacre, considered one of the greatest horror films of all time, has significantly influenced the horror genre. Ridley Scott credited the film as an inspiration for his 1979 film Alien. French director Alexandre Aja credited The Texas Chain Saw Massacre, among other films, as influencing him early on in his life. Channel 4 called it “a triumph of style and atmosphere”, and said The Texas Chain Saw Massacre is without doubt one of the most influential horror films of all time. John Carpenter’s Halloween (1978) incorporated the film’s use of minimal blood and gore, and focused instead on the suspense. The film was among TIME Magazine’s top 25 horror films of all time. In 1990, the film was inducted into the Horror Hall of Fame, with Tobe Hooper accepting the award. William Friedkin inducted Hooper into the 2003 Texas Film Hall of Fame. New York City’s Museum of Modern Art added the film to its permanent collection, validating its claim as legitimate, unconventional art. Entertainment Weekly ranked the film #6 on their list of “The Top 50 Cult Films”. Rebecca Ascher-Walsh believes that the film “paved the way for such future shock-franchises as Halloween, The Evil Dead, and The Blair Witch Project”. Mark Olsen of the Los Angeles Times described the film as being “cheap, grubby and out of control”, and that the film “both defines and entirely supersedes the very notion of the exploitation picture.” In a Total Film poll conducted in 2005, the film was selected as the greatest horror film of all time. Leatherface has gained a reputation as one of the most disturbing and notorious characters in the horror genre, and The Times listed The Texas Chain Saw Massacre as one of the 50 most controversial films of all time.

Horror filmmaker and heavy metal singer Rob Zombie sees the film as a major influence, most notably in his film House of 1000 Corpses, released in 2003. Isabel Cristina Pinedo stated, “The horror genre must keep terror and comedy in tension if it is to successfully tread the thin line that separates it from terrorism and parody… this delicate balance is struck in The Texas Chainsaw Massacre in which the decaying corpse of Grandpa not only incorporates horrific and humorous effects, but actually uses one to exacerbate the other.” Scott Von Doviak of Hick Flicks called it “one of the rare horror movies to make effective use of daylight, right from the gruesome opening shot of a decaying corpse splayed across a cemetery tombstone”. The book, Contemporary North American Film Directors called the film “a disquieting inspection of rural insanity, more intricate and less bloodthirsty than the title might connote.111] In the book Horror Films, one critic’s opinion of the film was that it was “the most affecting gore thriller of all and, in a broader view, among the most effective horror films ever made…”, and that “the driving force of The Texas Chainsaw Massacre is something far more horrible than aberrant sexuality: total insanity.112] Christopher Null of Filmcritic.com said, “In our collective consciousness, Leatherface and his chainsaw have become as iconic as Freddy and his razors or Jason and his hockey mask.” The film was placed 199th in Empire magazine’s 2008 list of the 500 greatest motion pictures of all time.

Adaptations

Main article: The Texas Chainsaw Massacre (comics)

Shortly after The Texas Chain Saw Massacre established itself as a success on home video in 1982, Wizard Video released a mass-market video game adaptation for the Atari 2600. In the game, the player assumes the role of the film’s primary antagonist, Leatherface, and attempts to murder trespassers while avoiding obstacles such as fences and cow skulls. As one of the first horror-themed video games, The Texas Chainsaw Massacre caused controversy when it was released due to the violent nature of the video game and sold poorly because many game stores refused to stock it. Wizard Video’s other commercial release, Halloween, had a slightly better reception; the limited number of copies sold has made the game highly valued items among Atari collectors.

Several comic books based on The Texas Chainsaw Massacre franchise were made in 1991 by Northstar Comics entitled Leatherface. They were licensed The Texas Chainsaw Massacre franchise to Avatar Press for use in new comic book stories, the first of which was published in 2005. In 2006, Avatar Press lost the license to DC Comics imprint, Wildstorm, who have published new stories based on the franchise. In June 2007 Wildstorm changed a number of horror comics, including The Texas Chainsaw Massacre, from monthly issues to specials and miniseries. The series of comics featured none of the main characters seen in the original film (Topps Comics Jason vs. Leatherface series is exempt) with the exception of Leatherface, however the 1991 “Leatherface” miniseries was loosely based on the third Texas Chainsaw Massacre film. Writer Mort Castle stated: “The series was very loosely based on Texas Chainsaw Massacre III. I worked from the original script by David Schow and the heavily edited theatrical release of director Jeff Burr, but had more or less free rein to write the story the way it should have been told. The first issue sold 30,000 copies.”

Kirk Jarvinen drew the first issue, and Guy Burwell finished the rest of the series. The comics, not having the same restrictions from the MPAA, had much more gore than the finished film. The ending, as well as the fates of several characters, was also altered. An adaptation of The Texas Chain Saw Massacre was planned by Northstar Comics, but never came to fruition.

Sequels

Main article: The Texas Chainsaw Massacre (franchise)

The Texas Chain Saw Massacre has spawned three sequels, and a remakeitled The Texas Chainsaw Massacre and produced by Michael Bayeleased in 2003. The original film was first succeeded by The Texas Chainsaw Massacre 2 (1986), once again directed by Hooper. The sequel was considerably more graphic and violent than the original, due to the fact that a larger amount of gore was present in the film and was consequently banned in Australia for 20 years, but finally released on DVD in a revised special edition in October 2006. The sequel was less well-received by the critics, as they felt it had moved away from the terror of the original for the sake of dark humor. Gunnar Hansen was asked to reprise his role as Leatherface in the second film, but ultimately declined.

The film spawned two more sequels; Leatherface: The Texas Chainsaw Massacre III (1990) was the next, with a budget of $2 million. Hooper did not return for the film due to scheduling conflicts with another film, Spontaneous Combustion. The film was instead directed by Jeff Burr. Chris Parcellin of Film Threat said, “It’s really just another generic slasher flick with nothing beyond the Leatherface connection to recommend it to discerning fans.” The third sequel, The Texas Chainsaw Massacre: The Next Generation was released in 1995, starring Rene Zellweger and Matthew McConaughey. The film was a semi-remake of the original, although it was originally intended to be a complete remake of the first film. Maitland McDonagh of TV Guide’s Movie Guide said that the movie was “tired and dated.”

A remake entitled The Texas Chainsaw Massacre was released by Platinum Dunes in 2003. The film starred Jessica Biel, Eric Balfour, Andrew Bryniarski as Leatherface, and R. Lee Ermey as Sheriff Hoyt. The film received more positive critic reviews than the sequels, though it only managed to achieve a 35% “fresh” rating on Rotten Tomatoes, with 52 positive reviews out of 150. Ebert called it “a contemptible film: Vile, ugly and brutal.” A prequel to the remake, The Texas Chainsaw Massacre: The Beginning, was released in 2006. The film was directed by Jonathan Liebesman, and produced by Michael Bay and Mike Fleiss. It had a starring cast of Jordana Brewster and Taylor Handley, with Ermey and Bryniarski reprising their roles as Sheriff Hoyt and Leatherface, respectively. The film was panned by most critics, with a 14% “rotten” rating on Rotten Tomatoes. Mark Palermo, columnist for The Coast, said, “The focus in The Texas Chainsaw Massacre: The Beginning isn’t on the confrontation of demons, moral reckoning, or terror. It’s an unimaginative exercise in suffering”.

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^ Jaworzyn 2004, pp. 188

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^ Maltin, Leonard (2000). Leonard Maltin’s Movie and Video Guide. Signet. pp. 1400. ISBN 0451201078. 

^ “Texas Chainsaw Massacre: The Next Generation”. TVGuide.com. http://movies.tvguide.com/texas-chainsaw-massacre-generation/review/130976. Retrieved 2008-06-03. 

^ “The Texas Chainsaw Massacre”. Rotten Tomatoes. http://uk.rottentomatoes.com/m/texas_chainsaw_massacre/. Retrieved 2008-06-03. 

^ “The Texas Chainsaw Massacre”. Roger Ebert. October 17, 2003. http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20031017/REVIEWS/310170308/1023. Retrieved 2008-06-03. 

^ “The Texas Chainsaw Massacre: The Beginning”. Rotten Tomatoes. http://uk.rottentomatoes.com/m/texas_chainsaw_massacre_the_beginning/. Retrieved 2008-06-03. 

^ Palermo, Mark (March 15, 2007). “The Texas Chainsaw Massacre: The Beginning (Review)”. Rotten Tomatoes. http://uk.rottentomatoes.com/m/texas_chainsaw_massacre_the_beginning/articles/1606730/the_focus_in_texas_chainsaw_massacre_the_beginning_isnt_on_the_confrontation_of_demons_moral_reckoning_or_terror_its_an_unimaginative_exercise_in_suffering. Retrieved 2009-03-22. 

Bibliography

Bowen, John W. (November/December 2004). “Return Of The Power Tool Killer”. Rue Morgue Magazine (Toronto, Ontario, Canada: Marrs Media, Inc.) (42): 1622. ISSN 1481-1103. 

Chibnall, Steve; Petley, Julian (2002). British Horror Cinema. Routledge. ISBN 0415230047. 

Dika, Vera (2003). Recycled Culture in Contemporary Art and Film: The Uses of Nostalgia. Britain: Cambridge University Press. ISBN 0521016312. 

Friedman, Lester D. (2007). American Cinema of the 1970s: Themes and Variations. Rutgers University Press. ISBN 0813540232. 

Freeland, Cynthia A. (2002). The Naked and the Undead: Evil and the Appeal of Horror. Westview Press. ISBN 0813365635. 

Greenberg, Harvey Roy (1994). Screen Memories: Hollywood Cinema on the Psychoanalytic Couch. Columbia University Press. ISBN 0231072872. 

Haines, Richard W. (2003). The Moviegoing Experience, 1968-2001. McFarland. ISBN 0786413611. 

Hand, Stephen (2004). The Texas Chainsaw Massacre. Games Workshop. ISBN 1844160602. 

Jaworzyn, Stefan (2004). The Texas Chain Saw Massacre Companion. Titan Books. ISBN 1840236604. 

Muir, John Kenneth (2002). Horror Films of the 1970s. McFarland & Company. pp. 332. ISBN 0786412496. 

Muir, John Kenneth (2002). Eaten Alive at a Chainsaw Massacre: The Films of Tobe Hooper. McFarland & Company. ISBN 0786412828. 

Phillips, Kendall R. (2005). “The Exorcist (1973) and The Texas Chainsaw Massacre (1974)”. Projected Fears: Horror Films and American Culture. Greenwood Publishing Group. ISBN 0275983536. 

Williams, Tony (December 1977). “American Cinema in the ’70s: The Texas Chainsaw Massacre”. Movie (25): 12-16. 

External links

Wikiquote has a collection of quotations related to: The Texas Chain Saw Massacre

The Texas Chain Saw Massacre at the Internet Movie Database

The Texas Chain Saw Massacre at Allmovie

The Texas Chain Saw Massacre at Metacritic

The Texas Chain Saw Massacre at Rotten Tomatoes

The Texas Chainsaw Massacre: A Visit to the Film Locations

The Junction House – The restaurant now operating in the original house from the film

v  d  e

The Texas Chainsaw Massacre franchise

Films

The Texas Chain Saw Massacre (1974) The Texas Chainsaw Massacre 2 Leatherface: The Texas Chainsaw Massacre III

Texas Chainsaw Massacre: The Next Generation The Texas Chainsaw Massacre (2003) The Texas Chainsaw Massacre: The Beginning

Characters

Leatherface Chop Top Other characters

Other

All American Massacre Atari 2600 Game Comics

v  d  e

Films directed by Tobe Hooper

1960s

Eggshells (1969)

1970s

The Texas Chain Saw Massacre (1974)  Eaten Alive (1977)  Salem’s Lot (1979)

1980s

The Funhouse (1981)  Poltergeist (1982)  Lifeforce (1985)  Invaders from Mars (1986)  The Texas Chainsaw Massacre 2 (1986)

1990s

Spontaneous Combustion (1990)  I’m Dangerous Tonight (1990)  Night Terrors (1993)  Body Bags (1993)  The Mangler (1995)  The Apartment Complex (1999)

2000s

Crocodile (2000)  Toolbox Murders (2004)  Mortuary (2005)

Categories: English-language films | 1970s horror films | 1974 films | American horror films | B movies | Films directed by Tobe Hooper | Films set in Texas | Films shot in Texas | New Line Cinema films | Slasher films | Texas Chainsaw Massacre | Urban legends | Cannibalism

Indian actress Aishwarya Rai Bachchan is an

08.20.10

In the childhood of Aishwarya Rai  (or as her names parents of Esh) wanted to become a doctor and to treat people. However, for the unknown reasons becoming full age the girl entered in college Rahedzha where began to study architecture and the fine arts. Soon experts of modeling business  paid attention  to the beautiful blue-eyed girl. End result    of their negotiations began to pass the consent of Aishwarya Rai   a course in school of models and participation in competition “Ms. India”.Here she has taken the second place, having conceded to only world famous Indian beauty Shushmita Shen – “Miss Universe in 1994.However, organizers of competition “India” nevertheless have decided to send Aishwarya Rai  on competition “Ms. of the World” to represent India . The beauty has won hearts of judges. During her career, Rai has acted in over forty movies in Hindi, English, Tamil and Bengali, which include a number of international productions.Her debut movie was in the Tamil industry that was directed by Mani Ratnam titled Iruvar. After success in Bollywood  she got a role already in Hollywood, . Now her fees for participation in a film reach 15 million dollars.She has won awards in the Film Fare for the best actress in the movies like Hum Dil De Chuke Sanam and Devdass. Aishwarya Rai movies have also won Star Screen Awards International Indian film Academy, Awards Zee Cine Awards, Star dust Awards and Sansui Awards in her movie career. Rai has been the most popular face of Indian cinema globally. In 2002 has acted in film in the most successful   film “Devdas”. In 2003 Aishwarya Rai was the judge of the Cannes film festival. Then Aishwarya has concluded the advertizing contract with L’Oreal DeBeers and participated in advertizing companies Coca-Cola.In 2004 she was chosen by Time magazine as one of the World’s “100 Most Influential People” appeared on the cover of Time magazine, Asia Edition in 2003.  In October 2004 a wax figure of Rai was put on display in London’s Madame Tussaud’s wax museum.    Aishwarya Rai   was initially planned for a role of Rozali in a film “Twilight”, but Aish remained dissatisfied with that she looks too “adult” near to hero Kellana Latsa Emmetom.   In 2009 she has acted in  a film “The Pink Panther 2″ and  Aishwarya Rai has consulted with the role.

South of France re-location made easy : Mougins International School

07.19.10

Mougins village has a spectacular setting of the pine forests of Valmasque with panoramic views of the Cote D’Azur and the lower French Alps. With 320 days of sunshine per year and its quality of life, Mougins has been a popular village for the international set for years; Pablo Picaso spent his last twelve years here and Yves Klein, Yves Saint Laurent, Christian Dior, Winston Churchill, and Edith Piaf all owned properties here. Mougins is also a centre of gastronomy with Roger Vergé and Alain Ducasse having run the restaurant L’Amandier in the heart of the Mougins village and the  ’International Gastronomy Festival being held in Mougins in September. Mougins has it all: great weather, good connections to Nice Airport and Cannes, beautiful surroundings, and also has culture and sport. The Royal Mougins Golf Resort, the Mougins Museum of Classical Art, and the Museum of Photography are all close to the centre of the village. The high technology park of Sophia Antipolis is down the road from Mougins, and this is becoming a major reason why people are starting to re-locate here.

It is no wonder that expats find it comforting to move here. They sell up back home buy a beautiful villa in pleasant surroundings and get to work in Nice, Monaco, or Sophia Antipolis very easily. But where do the kids go to school? One of the major problems with re-location is the children integrating into a new place with a new language. In Mougins, this is not a problem, with the Mougins International School being created in 1987 to look after children of expats moving to Mougins and the surrounding areas.

The Mougins International School enrolls 454 students from 35 nationalities, with all teaching in English. Subjects available include: Art, Biology, Business Studies, Chemistry, Computing, English, French, Geography, German, History, Mathematics, Physical Education, Physics, Spanish and Music. Facilities include : Library, 2 Art Studios, 3 Science Laboratories, Information Technology Centre, Gymnasium, synthetic football pitch, exterior sports court, Music Room, Performing Arts Hall, Examinations Room, Dining Room. Here children can take the AS and A level exams that they would have taken back home in the UK. As the teaching is in English and subjects are the same there is no real reason for problems of re-location when adults are searching for a better quality of life.

Thanks to the Mougins International School Mougins is becoming a sought after place to buy property in the South of France. Local Mougins immobilier have said people are actually searching for houses and villas for sale close to the Mougins International School. It is not surprising as families looking to re-locate to the South of France find it much easier in Mougins thanks to the fantastic location, amenities, culture, ease of getting to work, and an English school close by for the kids.